4/20/2023 0 Comments Ad infinitum collection![]() If you find any inaccuracies we will delete or correct them promptly. You can contact us to check this information. The information we hold about you will be accurate and up to date. Your personal information will be used to inform you about events and news that we think will interest you You agree to the collection, storage and processing of your personal information by us, using MailChimp We will collect your name and email address When you choose to sign up for our Mailing List: Please see MailChimp privacy policy for more information. We use MailChimp to store email addresses and names to send our newsletters and to track interactions from those newsletters. We occasionally receive information about you from third parties if you have given consent, for example, we might receive information about you from a third-party box office provider if you have agreed to join our mailing list. This information is protected by UK data protection law. We collect personal data from you when you register to join our mailing list. Ad Infinitum might be the sound of an artist challenging himself, but it's not the sound of an artist challenging his listeners.We are committed to protecting your personal information and to being transparent about the information we hold about you. The songs he summons from the synths offer proof that there were more songs left in him, but he's still digging in the same mine. Lerner has reportedly said that he started collecting vintage synthesizers because he felt like he had already gotten all of the songs out of the guitar that he could. He could even do them on an acoustic guitar, as he is wont to do. 2" feels like it's threatening to break into "Shining Star" in the chorus. The tunes are sturdy, and depending on how ambitious Lerner is with this tour, he could easily put any of these songs into his comfortable power trio arrangement. ![]() The harmony on "Farmers Road" is locked in tightly, and "Ad Infinitum, Pt. Lerner's songwriting is direct and even with all of this gadgetry he has a knack for a simple, effective melody. (Though it doesn't induce as much of an eye roll as Limp Bizkit's Speak & Spell experimentation, it's not quite as cool as what Robyn and Röyksopp do with the machine.)ĭespite all of this, the songs still sound very much like Telekinesis. Whether it's a nod to the aforementioned Depeche Mode debut or not, it feels forced. Lerner gets in his own way on this song though, when he employs an actual Speak & Spell machine. "Sleep In", with its light hip-hop beat and elfin ba-ba-ba-ba-ing is Ad Infinitum's most innovative track. ![]() Though Lerner has learned well how to make these sounds, he doesn't elevate the form enough. He utters the word "forget" in more than half of the songs with lyrics, and "future" on three separate occasions. They're often vague and seem like they were the final pesky pieces that he fit into the process. But the problem with taking on so many new responsibilities is that something's got to give. Lerner also produced the album-a first for him-with some assistance from Eric Elbogen of Say Hi. 1" recalls the grandeur and evocative melodrama of the first side of Disintegration. "Edgewood" sounds like an outtake from Speak & Spell and the instrumental "Ad Infinitum, Pt. ![]() "This proved to be incredibly time-consuming and, at times, a ridiculously difficult task," he writes.Īll of that ridiculous difficulty was time well spent: he has made some beautifully textured music with moods that recall the original '80s heyday of synthpop. ![]() Detailing his transformation in a piece for Medium, he says he spent much of the past two years amassing and learning how to use a collection of vintage synths, as well as hook them up with newer technology to make new music. ![]()
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